A heady mix of laughter, latrines, marches through Mississippi swamps,
sleepless three-day train journeys and basic army training all come together in
Biloxi Blues a marvelous
Neil Simon play. It is
1943 and the jumble together crew of army recruits need to shape-up before
shipping-out to an unknown war zone.
We were fortunate to see the play last night prior to Friday opening.
The acting was grand and yet I feel the need to first comment on set
design and costumes.
The authenticity of both sets and costumes is very sound. It is a credit to the set designers that they move so much staging materials in so little time. The audience had a real sense of the actors being in the cramped train carriage; the light passing by the window and the set rocking pushed by hands unseen. The costumes were authentic through to accuracy of the dance dresses worn by the convent girls.
The authenticity of both sets and costumes is very sound. It is a credit to the set designers that they move so much staging materials in so little time. The audience had a real sense of the actors being in the cramped train carriage; the light passing by the window and the set rocking pushed by hands unseen. The costumes were authentic through to accuracy of the dance dresses worn by the convent girls.
As to the acting - I best loved the in-play consideration of journal
writing. As one of the recruits made entries in his journal, and as the journal
was read out, one could sense the playwright’s own comprehension of the power of
the written word. There is a great line that is salient for today’s age of false
news:
“Just because something is written down doesn’t make it true”.
Then, there was also the intriguing completeness of one character's Talmudic logic.
Pavilion Theatre is not much to the eye as you approach and yet it is a
warm and inviting theatre inside. Seating is comfortable with good legroom and
an elevation to each row to offer easy viewing.
Thank you to Ticket Wombat and the Pavilion
Theatre for the freebie double tixs. Car parking was a breeze in the
ample showground parking spaces and the coffee at interval was free and hot. We’d
considered catching NSW’s shiny new thing, the Metro, with Hills Showground station within a 500m walk of the Theatre, however, buses were
running instead of trains. The plays runs 26 July 2019 to 17 August 2019 and
you can book here: https://www.facebook.com/events/378002956186611/
Shalom,
Ozhamada
#theatre #castlehillplayers
#ticketwombat
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